The Crows’ Nest

                                                                                  The Crows’ Nest

 

 

 

                                                                                 by Darren Bigelow

 

I was living in Japan when I wrote this story. The plight of a family of crows came to my attention when a nest was removed from a telephone pole directly across the street from a school I was attending. A phone company employee was about 30 feet up on a cherry picker where he plucked the nest that had been sitting on the pole. The crows were squawking loudly in protest because the nest and eggs were then disposed of. The crows natural habitat was disappearing rapidly with all of the development that was going on in the suburbs and countryside. Crows are intelligent and resourceful birds that can adapt to many types of environments, including a big metropolis like Tokyo.

 

High in the sky, well above the millions of people passing by, but far below the dirty air, and the skyscrapers everywhere, sat the crow’s nest.

Made of twigs and branches, the nest was pretty sturdy, but a bit of a mess, for it was constructed from a little rubbish, and even a man’s checkered vest.

The nest had no eggs, and that you can surely say, for it housed only crows on the lookout, staffed there 24 hours a day.

Soon the army would come, and they probably would be carrying guns. The soldiers would quickly line up in organized rows, and try to shoot the irate black crows.

But the crows weren’t going to stand idly by, because those crafty birds had prepared a battle plan that would make any general beg for mercy and cry.

So where and when did it all start, this fracas between the crows and humans? Let’s go to the beginning to help you understand. First, you must learn something about the animal called the crow, and its adversary, man.

Crows have cunning eyes, and long black feathers. They are crafty birds, with loud voices that can always be heard. If you ever got in an argument with one you can be rest assured that you would never get the last word.

Some people say these birds aren’t so friendly. Maybe it’s because a long time ago sorcerers and witches saw them as trendy.

Crows on occasion will dive bomb someone’s head, and maybe even put them on the run. These birds aren’t trying to be mean, and are only protecting their young.

Crows don’t act anything like seagulls, because they like to perch on high places and act kind of regal.

Crows used to live amongst the rivers, and mountains, surrounded by a lot of fresh breeze, but men and women came and cut down all the trees.

The people then made houses, condos, and high-rise apartments made of concrete. One day the crows had a home, the next day it had become a paved street.

The crows were forced to move to the cities, which put them in a bad mood. They didn’t want to go, but the birds were starving and homeless– they needed a place to live and some food!

Crows are scavengers, which is sayin’ they eat food that they find. In the wild, they’ll munch on everything from berries to nuts, and even dead porcupines.

In the city these delicious morsels don’t exist, but there are many other tasty eats to pick and choose from, like discarded cookies and half-eaten hamburger buns.

In the city humans dump piles of garbage, so trash day is always a big feast—the crows stuff their mouths, and just eat, eat, eat!

The crows punch through plastic bags with their pointed snouts. When they discover something scrumptious they rip it right out.

The crows sometimes leave a lot of trash lying about on the ground. It makes people angry, so they scream, “Those birds are ruining our town!”

Sometimes it’s not food the crows are after, because they collect rocks that are very tiny, or watches that are shiny. Do these items make crows curious? Who knows? Crows sometimes place their hard earned bounty on train tracks, and it makes conductors furious.

In the wild crows build their nests in trees, high up where there is lots of breeze. In the city, crows build their nests in all sorts of unusual places, from telephone poles to buildings with empty spaces.

People complain by saying, “Hey, don’t build your nests anywhere you please. If you do, I won’t be able to watch TV!” For the nests sometimes interfere with the cables, which can make the airwaves pretty unstable.

But look who should be complaining. After all, it’s the crows who have suffered from most of the maiming.

It was the humans who took away the crow’s nature. The birds had no choices because they had lost some of their stature.

Enough of the background story! It’s time to see if the crows will meet defeat or glory.

The crow problem got so bad that the city the city council assembled for a meeting. There were so many people that not everyone got seating.

There were complaints, gaffs, and a lot of mean talk. It was all directed at the crows, those black birds that go squawk, squawk, squawk.

The mayor, a portly man with a noticeable hairpiece, took the podium and sucked the tiny food particles from between his teeth. He organized his notes, and grunted like a pig to clear his throat.

“We have a pest in our lovely city. It’s noisy, troublesome, and not very pretty,” the mayor began. “The crows must get kicked out—for that there is no doubt,” he added, as sweat on his head made his hair matted and gritty.

The people all stood up and cheered, they thought that the end of the crow was very near.

But he crows had a meeting of their own. There was a lot of cooing and cawing, but mostly they just wanted to be left alone.

“We used to live alongside nature,” one crow said, as he ruffled his plumage on top of his feathery head.

Another crow stepped forward, grabbed her hips, and snorted, “We can’t leave because we have nowhere to go!” She was so angry her face was contorted.

Well, that’s part of the tale-the people versus the crows. Who will win, and who will fail? Do you want to find out? Ok then-here’s the rest. Let’s head over to the crow’s nest.

The crow’s nest was next to a small city park. The birds had taken refuge there in the daytime as well as the dark.

It was not safe in the city now because the army was out in full force. This info came from the lookout, the crow’s information source.

“Here they come!” came a warning from the crow’s nest. The lookout had just seen the fighting elite, the army’s best.

Another crow shouted, “There’s a helicopter, and a tank just over that hill!” The army’s assault on the crows was becoming overkill. But the crows weren’t scared, because they had a plan-they were prepared.

As the helicopter flew close, some of the birds got ready. They picked up a cardboard box, and the crow leader shouted, “Steady!”

Just when the helicopter was directly overhead, the crows tossed up a bunch of feathers, which surprised the chopper pilot named Fred.

Up, up, up the feathers went, and into the turbines they were sucked. Then the engine stalled, and the helicopter dropped like a freight train filled with trucks.

Fred wasn’t really hurt, only a little scratched and bruised. He even thought the crows were pretty smart–he was amused.

The army sent in their biggest gun, and one look at it made most of the crows want to run.

But the crow leader stood his ground, “That’s enough!” he shouted. “I’m tired of fooling around!”

For their next plan, they gathered a bunch of sticky tape, which the crows had snatched from the trash of a stationary store, in some old wooden crates.

The crows took the tape and stuffed it into the big gun’s barrel. This made the bombs stick to the inside, which put the weapon in peril.

“This fighting must cease!” the army general said. So, he shook the crow leader’s wing, and the two adversaries made peace.

The people and the crows got together and decided that the city was going to stop the division. There was going to be a big change. You could even call it a revision.

The army tore down several old buildings, a condemned baseball stadium, and a dilapidated college dorm. The city had become better—it had really transformed.

The new space was used to make many parks, with trees and brooks. The crows were happy with their city’s new look.

The mayor complained and said, “This wasn’t promised in my campaign!” Because he didn’t have anything to do with the city’s resurrection, the mayor was voted out of office in the next election.

Six months later, many new crow eggs hatched—the little ones were a lot of fun. The city folk watched in awe. They just loved the black birds tons.

 

The End

 

 

 

Whenua – how the land was shaped in New Zealand

Story: Whenua – how the land was shaped

‘Battle of the mountains’, by Angus McDonald

New Zealand’s dramatic and varied landscape sparked the Māori imagination. Their stories tell of giants digging out the South Island lakes, water creatures rising up to form tracts of land, and rival mountains moving in a battle for the affections of the beautiful Mt Pīhanga.

Full story by Te Ahukaramū Charles Royal
Main image: ‘Battle of the mountains’, by Angus McDonald

The Short Story

A quick, easy summary

Read the Full StoryMāori tribes all have stories about how New Zealand was created, and how its mountains, rivers, lakes and hot springs were shaped.

How the land was created

In one legend the demigod Māui pulled up a huge fish from the sea, which became the North Island. His canoe became the South Island, and its anchor Stewart Island.

In another well-known story, the land is from the womb of Papatūānuku, the earth mother, whose body lies under the water.

Kupe forms the islands

Kupe is an important ancestor from the Polynesian homeland, Hawaiki. According to tradition, when he arrived in New Zealand there was only one island. He is said to have split the land, forming the North and South islands. One of the Māori names for Cook Strait, which flows between the islands, is ‘te moana a Kupe’ (the sea of Kupe).

How the mountains were placed

It is said that the mountains of the central North Island – Tongariro, Taranaki (Mt Egmont), Tauhara and Pūtauaki (Mt Edgecumbe) – once lived together. But, according to a version told by the Ngāti Tūwharetoa tribe, they fought a battle for the affections of Pīhanga, the maiden mountain. Tongariro won, and the other mountains were obliged to leave. They walked as far as they could before the rising sun fixed them to the spot, where they stand to this day.

The thermal wonders

According to tradition, when the explorer Ngātoroirangi was travelling in the North Island, he became cold and called to his sisters, Te Hoata and Te Pupu. They came underground from Hawaiki in the form of fire. When they appeared above the ground, they formed the boiling mud pools, volcanoes and geysers that are famous in this region.

Making the lakes and rivers

The lakes of the South Island were carved out by the ancestor Rākaihautū as he travelled across the Southern Alps.

In tradition, taniwha (water spirits or monsters) shaped many of New Zealand’s rivers, lakes and harbours. At Wellington Harbour an earthquake stranded a taniwha above ground, so that he formed a stretch of land.

Let’s take a look at “Legend of the Lost Maori”

My book is just Just .99 on Amazon!  Great read for kids    download free kindle app Legend of the Lost Maori

Kupe stopped talking when he saw Rerehui staring over his head.

“Someone is watching us,” she whispered, trying not to move her lips.

Kupe turned around and saw a boy no older than four staring at them over the headrest of Kupe’s seat. “How do you make that little doll talk?” the boy asked.

Kupe was trying to think of something to say when the boy spoke again. “Can I have it?”

“No,” Kupe said. “Uh, the doll belongs to my . . . sister.”

The boy jumped out of his seat, stood in the aisle next to Kupe, and pointed at Rerehui. “He’s got a talking doll!” he shouted.

Kupe quickly put Rerehui back in the satchel, reached into his pocket, and pulled out a one-dollar coin. It had an image of a kiwi bird. “If I give this to you, will you shut up?

The boy’s eyes lit up when he saw the shiny coin. He nodded, snatched it from Kupe, and ran back to his seat.

Writing and Screen Writing Tips

1. Every sequence should include further development of your subplots.

2. Every sequence should advance the characters’ arc to keep the characters growing and changing to meet the ultimate challenge that lies ahead in Act 3, at the climax. Without degrees of growth during Act 2, your characters’ change will not ring true to the reader in Act 3.

Lerch, Jeniffer. 500 Ways to Beat the HollyWood Script Reader. Simon & Schuster:Fireside, 1999. pg.121. Print

Tips for writing Screenplays and Stories-The Protagonist

Serious complications in your protagonist’s life so that he runs out of his own resources and must gain new experiences, change his behavior, or learn a new way of operating in order to resolve the conflict. Without major complications, the reader has no reason to stay interested in the story because there’s nothing to root for.

Lerch, Jeniffer. 500 Ways to Beat the HollyWood Script Reader. Simon & Schuster:Fireside, 1999. pg.115. Print

Tips on how to be a better screen writer/writer

The sooner the conflict erupts, the sooner you hook the reader. Establish your character’s conflict in the screenplay’s first scenes, if possible. If not, bring on the conflict ASAP to hook the reader (and eventually the audience).

Lerch, Jeniffer. 500 Ways to Beat the HollyWood Script Reader. Simon & Schuster:Fireside, 1999. pg.99. Print

Tips on how to improve your story/script writing

Create a uniquely challenged lead character to solve a tried-and-true conflict. This can capture the notice of top acting talent.

A blind woman holds pillaging Nazis at bay for a week before the Allies arrive, saving her town.

Lerch, Jeniffer. 500 Ways to Beat the HollyWood Script Reader. Simon & Schuster:Fireside, 1999. pg.65. Print

Time Warriors-first three pages of my live action film script.


INT. an office/sometime in the future – DAY

A cloth with Native American designs is spread out on a desk. Various Indian artifacts sit on top of the cloth. A man is at the desk, but we can’t see his face. He’s wearing a Native American vest. His long grey hair drapes over the vest. A time-worn, shaky hand reaches for a metal, sand dollar-sized family crest attached to a cord necklace. The man puts the necklace around his neck. The crest has a castle with an  egret superimposed over it and Japanese writing. The man speaks.     

NARRATOR (O.S.)

I was once a great fighter but that was a long time ago. Now I’m old and all of my battles take place behind this desk, where my skills I’m afraid . . .

SIGH

. . .aren’t so great. My memory is pretty much intact though, and I have an unforgettable tale I’d like to share with you.   

The man places the artifacts in the center of the cloth, and bundles up the cloth.

NARRATOR (O.S.)

There was once a unique warrior who like myself came from a distant time. It was a miraculous machine that brought him to my world one day.

The man ties the cloth. We get a good look at the castle crest.

He was on the verge of dying . . .  his life had been filled with such tragedy. His name was Hiro “Hero” Yamada, and his story began 2 centuries before I was even born.

EXT. Himeji(year 1820), a Japanese castle town – DAY

Hiro Yamada, a Samurai swordsman,(25), a guy who could cream a unit of Navy Seals on his worst day, crashes through a reed patch into a clearing. Bodies litter a blood-stained field. There’s a white castle in the background. Hiro sees another Samurai ready to cut off the head of a man dressed like a noble, on his knees. The kneeling mans eye’s plead with Hiro. The “executioner” pauses while 2 new Samurai rush at Hiro with their swords poised for attack. Hiro takes out a small sword, dodges the first Samurai’s attack, and at the same time buries the small blade in his opponent’s chest. Hiro then spins with his long sword drawn like he’s a participant in an Olympic hammer throw, drops to his knees and cuts through the second Samurai’s legs. He then rushes at the executioner, who raises his sword above the kneeling noble’s neck. Hiro heaves his long sword like a spear and sends the executioner to his maker, but not before the executioner’s sword deals a lethal blow to the noble. Hiro pulls his long sword from dead man and wipes the blood from the blade as he sheaths it. He bows deeply  to the body of the kneeling man.

SCREAMING

Hiro turns his head back toward the reed patch and sees the castle burning. His eyes grow with horror. Hiro runs in the direction of the smoke. He passes through a town, people are running around frantically. Some, trip over bodies. A frightened villager points to the sky at a helicopter and shrugs his shoulders. Hiro soon comes to within twenty-five feet of a house and stops. A Ninja, wearing a black outfit, whose face we can’t see clearly, emerges from the house dragging a sack. The Ninja stops after a few feet and stands up straight. The Ninja, whose nose and mouth are covered looks at Hiro and reveals his blue eyes. Hiro looks surprised, draws his sword and runs at the “Caucasian” Ninja. The Ninja tosses a smoke bomb at Hiro. Hiro fights his way through the smoke and arrives where the Ninja was, only to find the space empty. Hiro turns his attention back toward the house, and bolts through the entrance. Hiro’s face screams in Japanese.

NOTE: THE NINJA PLAYS A SIGNIFICANT ROLE IN THE STORY

Hiro

Noooooooooooooooooooo!

We don’t know what Hiro’s looking at. Hiro drops to his knees, plants his sword in the ground hilt first, and throws his body on the sword. Silhouetted figures can be seen coming through the door in the background. TONGA TOATUI, (31) comes into view. Tonga could be mistaken for Bigfoot in a human suit. His Maori facial tattoos look more like tiger stripes than decorations. A large club and Samurai clothes complete this warrior’s ensemble.

TONGA

We’re too late, I think they’re all dead.

Tonga runs over to a man on the ground in a pool of blood. The man, Army captain Doug Duncan, is dressed like a Japanese peasant. A pistol lays next to him. Tonga shakes his head.

TONGA

Duncan’s had it.

ZENA, (23), a savage beauty who could kill with both her looks and bare hands, appears behind Tonga and looks around the room. She’s wearing the outfit of a female Samurai, only she is carrying a “reverse” bow with arrows.

ZENA

The others. Check just to make sure.

Tonga moves out of sight examining the room. He ends up next to Hiro, waving a small cell phone-like device over his body. Hiro groans and moves slightly.

TONGA

This one’s only been down two minutes!

ZENA

Better hurry. Where’s Sergeant Stods? He was supposed to make sure this didn’t happen.

Tonga shrugs and then bends over to pick up Hiro.

TONGA

Thought you’d commit Hara Kiri Samurai, well Today’s your lucky day.

Zena looks around the room one last time, then at Hiro.

ZENA

Well, if we can save this one, the mission won’t be a total bust.

Script Writing Tips-Concepts that Sell by Jennifer Lerch

 

“Build into your concepts a hero/heroine whose weakness makes achieving the goal difficult. An illiterate mother fighting the toxic polluters who crippled her daughter has more of an uphill battle than a mother who is a top lawyer.”

 

Lerch, Jeniffer. 500 Ways to Beat the HollyWood Script Reader. Simon & Schuster:Fireside, 1999. pg.63. Print